Comic Confluence IV
Sunday - July 14th, 2019 at 11:30 am | Stone Ridge, New York
Our most anticipated comic book auction of the year, Comic Confluence IV will include the remaining contents of a former comic book store owner. The majority will be Bronze Age comic books. Included in this auction are Spider-Man, X-Men, Incredible Hulk, Captain Marvel, and many more. The value of Bronze age comics in 8.5+ condition is rising which is another reason to attend this auction.
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What was the Marvel Value Stamp?
The 100 stamps in Series A could be clipped from the letters pages of various Marvel comic book titles and then taped into a 16-page Stamp Book which Marvel sold through the mail. The Series B stamps were 100 puzzle pieces that could be put together to form 10 larger images in a second Stamp Book.
The program destroyed the value of countless Marvel comics of this era, and missing value stamps are the bane of serious Bronze Age collectors. But if you were of a certain age when the program began, you may have feelings of nostalgia for these little stamps, despite the horror they wreaked on your collection.
Do all the comics that are being presented at the Comic Confluence IV auction have the stamps?
YES! Unless noted in the description of “missing”, “removed”, or “clipped”, they all have the stamps attached.
Do the stamps affect the value?
Just as any flaw would affect the value of the comic – a missing stamp can reduce the value by over 80%!!!!
Incredible Hulk #181 with Marvel Value Stamp
ABOUT MARTIN (MOE) GOODMAN - FOUNDER OF MARVEL COMICS
Moe Goodman later adopted the name Martin. Martin was the oldest son of 17 recorded children of Isaac Goodman (b. 1872) and Anna Gleichenhaus (b. 1875). The family lived at different homes in the New York City borough of Brooklyn. As a young man, Moe traveled around the country during the Great Depression, living in hobo camps.
Goodman's first publication was the Newsstand Publications pulp magazine Western Supernovel Magazine, premiering with cover-date May 1933. After the first issue, he renamed it Complete Western Book Magazine, beginning with cover-date July 1933. Goodman's pulp magazines included All Star Adventure Fiction, Complete Western Book, Mystery Tales, Real Sports, Star Detective, the science fiction magazine Marvel Science Stories and the jungle-adventure title Ka-Zar, starring its Tarzan-like namesake.
In 1939, with the emerging medium of comic books proving hugely popular, and the first superheroes setting the trend, Goodman contracted with newly formed comic-book "packager" Funnies, Inc. to supply material for a test comic book, Marvel Comics #1, cover-dated October 1939 and published by his newly formed Timely Publications. It featured the first appearances of the hit characters the Human Torch and the Sub-Mariner, and quickly sold out 80,000 copies. Goodman produced a second printing, cover-dated November 1939, that then sold an approximate 800,000 copies. With a hit on his hands, Goodman began assembling an in-house staff, hiring Funnies, Inc. writer-artist Joe Simon as editor, and Timely's first official employee. Goodman then formed Timely Comics, Inc., beginning with comics cover-dated April 1941 or Spring 1941. Timely Comics became the umbrella name for the several paper corporations that comprised Goodman's comic-book division, which in ensuing decades would evolve into Marvel Comics.
In 1941, Timely published its third major character, the patriotic superhero Captain America by Simon and artist Jack Kirby. The success of Captain America #1 (March 1941) led to an expansion of staff, with Simon bringing freelancer Kirby on staff and subsequently hiring inker Syd Shores "to be Timely's third employee." Simon and Kirby departed Timely after 10 issues of Captain America, and Goodman appointed his wife’s cousin, Stan Lee, already there as an editorial assistant, as Timely's editor, a position Lee would hold for decades.
As the market for pulp magazines waned, Goodman, in addition to comic books, transitioned to conventional magazines—published through a concern dubbed Magazine Management Company at least as far back as 1947—and in 1949 founded Lion Books, a paperback line. Goodman used the name Red Circle Books for the first seven titles plus an additional two later. Most were novels, but there was a smattering of mostly sports-oriented nonfiction. Goodman eventually developed two lines, the 25¢ Lion and the 35¢ Lion Library.
n mid-1961, following rival DC Comics' successful revival of superheroes a few years earlier, Goodman assigned his comics editor, Stan Lee, to follow the trend again. He said, "Stan, we gotta put out a bunch of heroes. You know, there's a market for it." Lee's wife suggested that Lee experiment with stories he preferred, since he was planning on changing careers and had nothing to lose. In response, Lee and artist Jack Kirby created The Fantastic Four #1 (cover-dated Nov. 1961), giving their superheroes a flawed humanity in which they bickered, worried about money and behaved more like everyday people than noble archetypes. That series became the first major success of what would become Marvel Comics. The newly naturalistic comics changed the industry. Lee, Kirby, such artists as Steve Ditko, Don Heck, Dick Ayers, John Romita Sr., Gene Colan, and John Buscema, and eventually writers including Roy Thomas and Archie Goodwin, ushered in a string of hit characters, including Spider-Man, Iron Man, the Hulk, Daredevil, and the X-Men.
In fall 1968, Goodman sold Magazine Management to the Perfect Film & Chemical Corporation. Goodman remained as publisher until 1972, which included supporting Lee's decision to disregard the Comics Code Authority's disallowance of an The Amazing Spider-Man anti-drug themed story-arc requested by the US Department of Health, Education and Welfare, which discredited the censor. Two years later he founded a new comics company, Seaboard Periodicals, which published under a new Atlas Comics imprint and is known to collectors as "Atlas/Seaboard Comics". It shut down the following year.
Perfect Film & Chemical renamed itself Cadence Industries in 1973, the first of many post-Goodman changes, mergers, and acquisitions that led to what became the 21st-century corporation Marvel Entertainment Group